A Site of Sonic Resistance is Reborn…
Hundreds of jazz musicians, including Miles Davis and John Coltrane, stood and performed on the Blue Bird Inn Jazz Stage from the late 1950s until the club’s closing earlier this century. It is an exceptional example of African American mid-century vernacular art and design as well as a launchpad for sonic and social rebellion during the Civil Rights movement in Detroit. Rebuilt by Detroit Sound Conservancy with funding from Detroit Creative Corridor, curation by The Work Department and Public Design Trust, and activation by high school vocalists from Cornerstone Schools in Detroit, the stage has already made its debut as a modular and mobile programming experience at this year’s Saint-Étienne UNESCO-inspired Biennale. The Stage is now on exhibition at the Valade Gallery at the College for Creative Studies through October 6th.
DSC is booking the Stage for engagements beginning fall 2017 and beyond. To book please contact our director via email at firstname.lastname@example.org or call direct at 313-444-8242
Click on images below to see full size rendering.
Renderings by Peter Lusch
Our Journey With Blue Bird
On a brisk but beautiful late winter day in 2012, the newly formed Detroit Sound Conservancy had its first official gathering.
We stood in front of the Blue Bird Inn at 5021 Tireman on Detroit’s near West Side, one of the major hubs of (Detroit) jazz during its post-WWII heyday. We knew it was closed. We had heard that it was gutted inside. We didn’t know the owner. We didn’t know the building’s status. All we knew was that if the DSC was going to matter we would have to eventually address buildings and histories like the Blue Bird’s.
In April we finally made contact with the owner, organized a team of archaeologists from Wayne State University’s Anthropology Department to investigate the property and building, and gave the building an informal funeral.
In April, with the support of DAMI and the permission of the owner of the building, we salvaged the hallowed stage. The ceiling was falling in and one of the greatest stages in bebop was at risk of being lost forever. After removal we staged another brief musical ritual with Kenneth Gill of the Gabriel Brass Band.
At our conference in October, Detroit Creative Corridor Center (DC3) helped us announce:
“In celebration of Detroit’s UNESCO Designation, DC3 will collaborate with Public Design Trust to produce an exhibition exploring how America’s former industrial powerhouse is shaping the future of work this coming March in Saint-Etienne, France’s 10th Design Biennale. Detroit Sound Conservancy has been invited to contribute an installation that will rehabilitate and reactivate the iconic Blue Bird Inn stage as a modular, mobile, programming and exhibit experience.”
As of late December 2016, we have completed “restaging” the Blue Bird stage for transport to Biennale Internationale Design Saint-Etienne 2017. Here are photos from the rebuild:
——> Saint Etienne
A “Homecoming Celebration” for the Stage was held at the Detroit Public Library on Saturday, August 26th. You can visit the Facebook event page here.
On September 8th, a quarter led by bassist Emily Rogers activated the Stage.
On September 9th, a trio led by De’Sean Jones played an exclusive set on the Stage for attendees of #DETROITSOUND4
The Stage is now on exhibition at the Valade Gallery at the College for Creative Studies through October 6th.
Updated 11 September 2017